The two escalators in the National Gallery of Australia foyer were transformed into towering runways as FASHFEST presented a fashion pop-up to build hype around the 2017 event with opening night this week, 28 September. One by one last Saturday, models posed at the top of an escalator and slowly glided down to the main foyer before walking before guests and stopping before the photographer’s scrum. Then it was slowly back up the second escalator.
- Megan Cannings Designs (black dress), Model: Mariè Strazdins, MUA: Lydia Curtis, Photo: Jack Mohr
By design, the fashion at the pop-up was eclectic. The first and last models appeared in showstopper gowns by De Challie Haute Couture—gowns never seen in public and soon to be sent to Paris Fashion Week. Exquisite beading and detailing is De Challie’s signature. These are hand-made gowns that dreams are made of. Award winning De Challie will showcase sophisticated, exquisite gowns made of the finest fabrics and meticulous detail on the FASHFEST catwalk on Friday night.

De Challie Haute Couture, Model: Sarah O’Neill, MUA Alexandra Watson, Photo: Sparking Weddings
Other gowns were created by Megan Cannings Designs, a full electric blue layered skirt paired with a silver glittery top and a black ruffled outfit with sexy see-through elements. Megan’s designs embody the feminine form using soft, easy wearing fabrics. Megan is based in Sydney and this will be her second appearance at FASHFEST.
Two pieces of innovative bridal wear by Gabrielle Spencer Bridal popped up at the National Gallery of Australia, showing how the designer casts aside traditional ball gowns for pieces that are modern and refreshingly elegant. This is Gabrielle Spencer Bridal’s debut appearance at FASHFEST. Her aesthetic is influenced by bridal fashion of the 1920s to 1950s and Gabrielle uses luxurious fabrics, including pure silks, cashmere and French lace. At FASHFEST, she will collaborate with Christine Waring Milliner.

Thunder Thighs, Model: Lamishi Dauda, MUA: Mikaela Thompson, Photo: Sparkling Weddings
Three pieces were presented at the pop-up by Bianca Pavlic The Label who makes a debut appearance at FASHFEST this year. She will appear on the catwalk twice, once in her own show and also in a segment curated by Raw Australia. Bianca’s creates unique, beautiful and feminine garments, all hand made in her Canberra home studio.
The shimmery silver number at the pop-up was designed by Yumi Morrissey of Zilpah tart. Yumi’s spring-summer 2017 collection features new necklines, some special occasion pieces and more. After FASHFEST, Yumi will sell her new collection at Floriade.
One of the most intriguing creations at the NGA was by Bronwynne Jones of Thunder Thighs, a new independent Canberra label who will debut at FASHFEST on opening night. Bringing back the bustle, Bronwynne’s hand-made garment was created with a recovered jacket and embellished with waste and recovered fabric. Ties and tie linings left over from the Infinity scarves Bronwynne makes were folded and twisted with other fabric scraps for a modern take on the bustle.
Karen Lee is a veteran of the FASHFEST catwalk. Her creation at the pop-up was used for pre-event publicity. It featured a black jacket she made from a garment that appeared at FASHFEST several years ago and a brilliant red oversized tulle skirt.

L-R: Lamishi Dauda (Thunder Thighs); Sarah O’Neill (Bianca Pavlic The Label); Kelsi-Jane Hedges (De Challie Haute Couture); Mariè Strazdins (Zilpah tart); Toya Bakoles (Gabrielle Spencer Bridal); Samara Purnell (Bianca Pavlic The Label). Photo: Sparkling Weddings
The pop-up was also a prelude to the NGA’s upcoming summer blockbuster Hyper Real. The hair and makeup was as inspirational as the wonderful artworks in Hyper Real. Led by FASHFEST’s Director of Makeup, Diana Cheetham, the artists were given free rein to make masterpieces. Looks ranged from a princess look made of gold leaf and glitter, a Japanese inspired look and bold black line work.
FASHFEST opens this Thursday 28 September with Show 1 at 7am. The full program and tickets are available on their website. Opening 20 October, Hyper Real charts the evolution of hyperrealism since the early 1970s through a jaw-dropping display of renderings of the human form in sculpture, video, digital art, virtual reality and bio-art.