Tag Archives: M16 Artspace

A story of a pear-shaped woman

Lovin’ thunder thighs. Designer Bronwynne Jones with model Swan Ricco at FASHFEST 2017. Image: Avon Dissanayake.

For years, Brownynne Jones was frustrated with fashion, so much so that she started her own label. We all have different shapes—hour glass, watermelon, banana, apple and pear. While there’s absolutely nothing wrong with that, says Bronwynne, the reality is that it’s easier to shop fashion for some shapes than others.

Bronwynne is pear shaped and proud of it.

‘I used to think there was something wrong with my shape because I could never find lovely clothes that fitted just so,’ says the designer. ‘Then it dawned on me that it wasn’t my problem, it was the fashion industry’s problem and so I began making my own clothes. That’s when I started to feel great and stopped worrying about how I looked.’

Image of Tiahna taken at FASHFEST 2017 by Naimat Ahmed.

Thunder Thighs is a label for the perfectly pear shaped, although Bronwynne now knows her designs fit a range of shapes, even the tall and thin. ‘It was fabulous to discover this, although the pear-shaped is still my main aesthetic,’ says the designer.

This Thursday, at M16 Artspace, Brownynne is launching an exhibition as part of Design Canberra Festival. ‘Curvature Couture: Design and the pear-shaped woman’ officially opens at 6 and runs until 25 November. M16 is where Bronwynne has her studio.

The exhibition showcases what Bronwynne does best—focus on shape as a feature not as a flaw. She’ll host a short fashion event using a combination of models with interesting shapes, such as Bec and Trish from HAUS Models. She’ll also use women who aren’t professional models. The common thread is that every woman who appears in the show is in love with their body shape and fashion.

Bec from HAUS Models. Image: Naimat Ahmed.

Thunder Thighs is still a young independent label and Brownynne has learned heaps since presenting her first full collection on the catwalk at FASHFEST in 2017. ‘FASHFEST is a real platform for local designers and an important one,’ says the designer. ‘I was so nervous, but the collection looked amazing on the catwalk and the feedback was  fabulous. The team members behind FASHFEST are so willing to share knowledge and encourage you.’

Sustainability is important to Bronwynne and she’s committed to using new and natural fabrics as much as possible and sourcing interesting roll ends and remnants. She also uses pre-loved garments, deconstructing them and using elements in her designs. A classic example is Bronwynne’s hugely popular ‘Shirt Front Back Top’, which she’ll present at ‘Curvature Couture’.

Bronwynne’s famous ‘Shirt Front Back Top’. Image: Naimat Ahmed.

This shirt is fitted at the top and has a swing back to skim over the thighs, but women who have a tummy love it too. ‘To enhance interest, I include an insert using men’s shirts and, more recently, women’s scarves,’ say Bronwynne. ‘Customers even bring in their own shirts and scarves, ones that hold memories, so the garments I make for them are highly personal and a major talking point.’

At the opening of Curvature Couture, and throughout the exhibition, guests can check out their shape against life-sized panels by String, local artist Paul Martin. The garments on the catwalk will be put on mannequins after the show and form part of the exhibition.

Brownynne presented her first full collection on the catwalk at FASHFEST in 2017. Image: Doug Hall, Studio Vita.

You can also hear Bronwynne talk about her designs at M16 on 15 November at 1pm. She’ll also present a short workshop on dressing thunder thighs on 25 November at 2pm.

In the meantime, join Bronwynne at ‘Curvature couture: Design and the pear-shaped woman’ for the official opening this Thursday, 8 November, at 6pm. The fashion show starts around 6.30.

 

 

See Canberra’s Living Artist Exhibition … by bus!

In less than two weeks, Canberra’s biggest ever design festival gets underway. If you haven’t yet trawled through the 70 events on offer during DESIGN Canberra, now’s the time. Planning is the name of the game here, so you don’t miss out on something you really, really want to see. By Wendy Johnson

One of the five segments of DESIGN Canberra is the Living Artists program. This gives you exclusive insights into the innovative work of some of our best artists and design firms. How? These creatives are throwing their doors open to the public and letting you into their world. This segment is so popular that DESIGN Canberra has put on two guided bus tours—of interest if you can’t be fussed driving all over the place. They’re a bargain at $25 (but book early as places are limited). On Saturday 21 November you tour from 11am to 3 pm and on Sunday 22 November 10 am to 1pm.

Jenni Martiniello's glasswork studio

Jenni Martiniello’s glasswork studio

Lisa Cahill, Cascade #2, 2013. Image: Greg Piper. View at The Hayshed

Lisa Cahill, Cascade #2, 2013. Image: Greg Piper. View at The Hayshed

Saturday’s tour includes Canberra Glassworks, housed in the historic Kingston Powerhouse and Australia’s only cultural centre wholly dedicated to contemporary glass. This studio is currently home to glass artists such as Jenni Martiniello, Brian Corr, Emilie Patteson, Melinda Willis, John White and Nikki Main. The Hayshed in leafy Pialligo is where three professional artists work. Lisa Cahill and Kirstie Rea use glass as their primary medium. Julie Ryder has been working in textiles for 25 years and exhibits nationally and internationally. The next stop on Saturday is M16 Artspace, a studio and gallery complex in Griffith. M16 features the work of 15 artists who create across jewellery, textile design and mixed media visual arts. 

 

 

Sunday’s bus tour takes you to Workshop Level, a studio built by Mel George and Jeremy Lepisto to make custom glass projects for themselves and others. Mel is also the curator at Craft ACT. Then it’s over to Curtisglassart where Matthew Curtis and Harriet Schwarzrock work in a studio at the back of their home—predominantly with molten glass making sculptural work for exhibition. Next up is Six Wiluna, a shared workshop established by director Elliot Bastianon and housing artists Luke Batten, Andrew Carvolth, Nicholas Harper and Sam Ryrie. Here you’ll see furniture, gold and silversmithing, and sculpture.

Workshop Level Open Studio: Jeremy Lepisto, Further from Here, 2015. Image: Paul Foster

Workshop Level Open Studio: Jeremy Lepisto, Further from Here, 2015. Image: Paul Foster

And last, but not least, it’s off to Queanbeyan to visit Pocket Studio, run by gold and silversmith Alison Jackson. Alison has just finished her first solo exhibition, Table Tools, at Craft ACT, and has also completed a CO-LAB project with renowned designer maker Jon Goulder. The pair made Cheese Companions for Agency in Braddon. At Pocket Studio you’ll see Alison’s jewellery and tableware.

Copper Vessel by Alison Jackson; photo by Angela Bakker

Copper Vessel by Alison Jackson; photo by Angela Bakker

DESIGN Canberra is an initiative of Craft Act: Craft and Design Centre.

Visit the website and stay with Lost Four Words for more coverage of what you can expect during this massive festival.

http://designcanberrafestival.com.au/